Sometimes we come across examples of ceramics that can be attributed to a particular potter, but whose work we have not seen prior. Such is the case with this odd triplet from the Swedish studio of Curt M. Addin. The hand-made quality tells me that it is the work of a sort of free form craftsman, not shy about experimentation with texture and non-traditional shapes. I'm pleased that the grouping remained together and was not separated by time and travel.
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