Rare Rörstrand

We've discovered another notable name to add to the Rörstrand roster of great artisans - Sylvia Leuchovius (1915 - 2003). This masterful plate is the very definition of art pottery. The glaze has an almost celestial movement, exploding with color from the raised center, from moss green to all shades of blues and magenta over a crazed celadon backdrop. Created in the 60s.
9.5" in diameter

Mondrian-a-like

An Italian take on the master of minimalism, the Dutch artist Piet Mondrian. This pair of ceramics, an oval vase and a cylindrical lidded box, are actually by Bitossi for importer Raymor, circa 1950s. An unexpectedly somber (yet chic) color palette for this obvious nod to the colorful cubist.
16", 6"

Atomic Age Porcelain

A distinctly modernist moment from a classic porcelain factory. Germany's Fürstenberg has been in existence since the 18th century, and one would be right to assume most of their wares lean towards the traditional - rosette motifs and grandma's tea service and such. But, in the 1960s they created a modern line with a futuristic bent that we just covet. Alternating between yellow and rose gold are these Verner Panton-esque patterns. Eye-like on the horizontal and planentary on the vertical. Very cool no matter how you look at it!

The September Issue

Real Simple is probably our most consistent supporter in the print world. The September issue features a cover story highlighting design trends that never really go out of style. For the mid-century minimalism category, they chose our glass objects to accessorize their "Mod" mood board. The reds are 60's Holmegaard while the black with silver leaf is 1950s Seguso.

Thai Treasure

Traditionally seen as a lid to a rain drum, but appreciated here as an art piece. The intricacy of the craftsmanship is worthy of display on a decorative stand. This is a 20th century sold bronze version of what is likely a centuries old traditional craft. Seeing it this way feels modern and I think a great conversation piece to add to a contemporary setting.
27" x 20.5" x 9"

Barbini Genie

A rarity in both color and form. This large scale mid-century Barbini bottle is best described as 'fancy', given its ultra-feminine mix of hues from blush to hot pink and alternating opalescence. Dreamy like a genie bottle should be.
Over 19" tall

Magnificent Monolith

75 lbs of multifaceted modernist bronze from the Balkan born Gualtiero Mocenni, an internationally acclaimed artist who mostly made his mark in Milan. The fashion capital of Italy is his home and, in fact, home to several of his large scale public works in any number of materials including stone and wood. This piece of varying planes of patina and black lacquer over bronze (signed and numbered 3/10) was created in 1980.

22" tall x 8.5" wide x 7.5" depth

Double-Bubbles

These German glass buds from the 1960s are pure joy. Featherweight confections with a pop-art appeal. I feel like Roy Lichtenstein would have really loved these!
9"

Bamboo for You

A treasure from a pivotal period in Japanese history. In 1868, the Tokugawa era found an end in the Meiji Restoration. The emperor Meiji was moved from Kyoto to Tokyo, which became the new capital. A decree was made wherein production shifted away from armor and swords, and a  movement towards decorative arts was established, ushering in an open trade with the western world. The world's fairs would soon find fascinating items similar to this 19th century bronze vase with sterling silver bamboo motif inlay representing the new Japan.
7.5"

Carving Our Niche

A hand carved creation in brown glazed terracotta - Typically a technique found in works from Italy, this version is actually German. Given the huge amount of work, it's an impressive size at 18" tall.

Silky Sequel

Another pair of textured treasures from Aldo Londi for Bitossi's "Seta" line - the originals such as these were in production between 1957 and 1965. A perfect pairing...the compote compliments the vase quite nicely.
15" and 8"

Silky Sgraffito

From designer Aldo Londi comes a prime example of the Bitossi line called "Seta" - Italian for silk. The sgrafitto technique was used in the 50s and early 60s to give this range of ceramics a raw silk look and most were gilt for a little bit of added shine. Personally, I just love the on-trend ombré effect.
15"

Our Grand Tour Continues...

This is what we in the trade refer to as a 'really good reproduction'. The Venus De Milo - An iconic figure of feminine beauty,  made circa 1900, likely sold at the Louvre (or elsewhere in Paris) & made for the well heeled tourist trade. Bronze and heavy, this Aphrodite sculpture is a Greek goddess for the ages.
20"

Out of Africa

A Mid-20th century reproduction of a late 16th century original. This is not to say it's not an actual craft from a tribal descendant of the great subject herself - named Idia, the first Iyoba (Queen Mother) of the Benin tribe.
23" with our custom lucite base

Odd Couple

...and by odd I mean unusual, and by that I mean unique and special.  Small stopper bottles in crazed ceramic incised with a cartoonish illustration of a pigtailed gal with a fruit basket atop her head?!
The real surprise is that we have two and that they are by the famous and quite serious Carl Harry Stalhane for Rorstand!
8.5"

The Birds

A major name in glass that dates back to the thirteenth century, in fact to the very roots of the glass blowing industry on the island of Murano,  is Zanetti. In the 20th century a man by the name of Licio Zanetti carried on the family tradition by apprenticing at every bold name factory under the tutelage of Venini, Barbini, and Alfredo Seguso - honing his skills to become a Maestro in his own right. The above birds are basically life-size (33" x 14" and 27" x 8" respectively) - works of art and quite desirable. Close inspection shows the intricate feathering technique that only a master could achieve and the legs and feet are gilt bronze.

Glossy Glass

Found in the pages of the September issue of Elle Decor is the tres chic Paris apartment of fashion designer Yvan Mispelaere. Among his eclectic collection of curiosities (a surreal design trend we absolutely approve of) are our glass wares - a minty Cenedese bowl and Italian bottle above seem to be ours. Also credited to us - a collection of baby blues from Empoli and a French Opaline perfume featured in the spread as well. Check out the Jet-Set Style issue - on newsstands now.
Editorial photo credit: Matthieu Salvaing

Dalek Design

Any Dr. Who fan will get the reference (and the recent re-casting of the namesake role, not to mention the 50 year anniversary, has Who in the news all over again). Since 1963, one of the good doctor's main rivals in the science fiction series is a nemesis by the name of "Dalek" - a recurring killing machine that seems to follow the time traveler through the ages. This great German vase by Friedrich would have been made during the same early 60s era. Coincidence? "Who" knows!
7.5" x 6

Time After Time

An enamel on copper clock from mid-century Germany...emerald green and gold

8" in diameter

Portrait of Apollo

This lidded urn is a collaboration from two of the greatest names to be frequently mentioned on this blog. The vessel itself was a part of Gunnar Nylund's "Flambe" series and decorated by his equally renown associate Carl Harry Stalhane. The classical imagery is that of a Roman Archer (my assumption is that it is the god Apollo). The highlights of genuine gold give the illustration an illuminated quality. For Rorstrand, Sweden, 1930s
9 x 9

Massive Bitossi

With proportions like 19" x 13" - this is an unusually large example of a Bitossi ceramic vase. Also of note is the lack of colors. We often see the Rimini Blue or other multi-color combinations, but the single terracotta tone is an intrigueing surprise. Of course, the signature incising is still here, along with the rough surface and the very 50s proportions.

Great Bang for Your Buck

My header is not meant in any way to suggest a bargain. On the contrary, this is a rare and remarkable work from the 1940s studio of the great Danish ceramicist Arne Bang. As we all know, rarity dictates value...and this piece has all the hallmarks of a truly collectible ceramic. A clean form made complex by multiple layers of mottled matte blue/green crystalline glaze. The flourish of berries and flora are his signature Asian homage.
6"

Grand Tour Souvenier

So, this Roman Warrior just had to be seen from his posterior - if only for his Medusa shield, of course! Made in Italy to sell to sophisticated tourists visiting Rome in the 19th century. Beautifully detailed cast bronze on yellow marble, circa 1850.
7" tall

Diamonds Are Forever

I have to say this is one of the coolest Bavarian porcelain vases we have ever seen. Made in Germany in the 1960s by Gerold Porzellan. A stunning case study in convex and concave design.
8.5" x 5.5"

Lava Dots

A beige background is dotted with little cobalt lunar raised dots on this hour-glass shaped West German ceramic from the 1960s. Groovy and graphic all at once.
10"

Magnificent Mari

Teal and cobalt blue stripes decorate this unusual pattern from Scandinavian ceramicist Mari Simmulson for Upsala Ekeby, 1950s. 
Just over 14"

Super-Graphic Ceramics

Off white glazed vases with just a hint of red cast from the clay beneath. The argyle patterned piece is from a small studio called Alma. The strong lines of the fluted urn are trademark Schollert. Both are Danish 1950s.
Heights: around 9" each

Deluxe Duo

There are levels of luxury when it comes to collectible glass - and these two are definitely top tier. We have literally been searching for years for a pair of this style Barbini to become available. The striped pattern is part of a collection based on the circus tent. Perhaps the popularity of Pagliacci in Italian culture inspired their design. The graceful lines are quite refined, the heaviness of the glass, the subtlety of the blue color, and the generous amount of gold within all add to the value.
 Made exculsively  for the American market, late 1940s to early 1950s.
26", 20"

Mod Mystery

An odd mix of styles - the top is pure pop art, while the base is art-deco-architectural. Such eclecticism makes this unique piece so hard to place. It feels like a futurist attraction from a world's fair. Probably German, definitely 60s.
10.5"

A Horse of a Different Color

Meet "Rusty" - Yet another unique iteration of the classic Bitossi horse. One of the thrills of enjoying longevity in the vintage goods market is the chance to happen across myriad variations on a theme. The never-ending reinterpretations of this iconic Italian take on an Ancient Chinese motif never ceases to amaze. This guy has a beautiful burnt terracotta orange and chalky matte finish.
10" x 10"

Multilayered Masterpice

In the manner of Flavio Poli for Seguso (unmarked). Given the known provenance and obvious age to the condition, we stand by our estimation that this is certainly vintage -although they still create similar designs in Murano today - a stunning sculptural example of the Somerso layered glass technique. The complex coloration ranges from emerald to olive to magenta...all encased in a faceted clear outer layer. Best shown near a bright light source for maximum spectral effect.
10" x 5"

Outrageous Orange

I'm not exaggerating when I say this glass is so florescent that it practically glows in the dark. Made in the 50s by Barbini.
7" in diameter

Mauve-elous Mancioli

A fantastic purple-ish pair of ceramic lidded boxes made in Italy by Mancioli for import to America by Raymor, circa 1960s. Great for a low coffee table or as a groovy desk set.
8.5" to the top of the finial pull

3-of-a-Kind

Creating a grouping of the same color and style, albeit in varying sizes, can really pack a great visual punch! These iconic Blenko "Minaret Decanters" were first designed by Wayne Husted in 1958. Cobalt is making a comeback and this group still looks modern today.
The tallest (or "architectural scale") measures 32", Medium is 24", Small 17"

Come Fly Away

Like an Murano hot air balloon is how we see this spectacular opalescent glass urn vase by Seguso circa 1960.
18" tall and 9.5" wide, another massive and masterful creatiion

Cone of Influence

Signed Cenedese and numbered "1/1" (as in one of a kind!) this monumental conical glass obelisk with controlled bubbles is a full 18" tall and 7.5" in diameter and weighs at least 25 lbs - it's quite an impressive feat of glass engineering and no surprise that no other like it exists.

Note: It sits atop another massive piece....a 22" diameter mid-century footed silver plate platter from Japan

Op-Art Opulence

Cobalt cut crystal circa the optically trippy 60s. Referred to as "Bohemian Glass"- a name that both describes the era and the German region from which it originated.
10.5", 8.5"

We've Got the Blues

Not, that we're unhappy...we are quite proud of our vast selection of all shades of the color blue. From robin's egg to turquoise, we carry the spectrum. As much as we approve of a monochromatic palette, we are firm believers in mixing variants of the same hue makes for a dynamic grouping. Above , two iconic 60's Holmegaard Gulvases are flanked by 50s Italian stopper bottles and a squat 1930s Czech vase.
Sizes range from 8" to 22"

Go Green

A refreshing collection in a zesty lime green coloration. All by Blenko, with the exception of the squat decanter at the very left, which is by another great American glass factory called Greenwich Flint Craft.
Heights range from 11" - 25"

Stunning Seating

We pride ourselves in presenting beauty from every era - today we reach back to the early part of the 19th Century. A pair of Adam style English fruit wood chairs, circa 1810, with two unique hand painted friezes in the manner of Pompeian murals. The caned seats are likely 20th century updates as they are in such mint condition, which makes them certainly suitable for sitting...but as decorative objects, these hold wonderful cross-cultural & historical appeal.
34" high, 20" wide

Poetic Pottery

A pair of exquisite and rare pieces from the hand of the much coveted Berndt Friberg. Incised with his signature studiohand mark and a "G" for Gustavsberg, Sweden. This pair can be dated to 1969.  The multi-layered glaze actually has an interesting pedigree. Named the "Aniara" glaze, it's an eggplant base color with layers of minty greens, and an ultra shiny finish to the surface. The glaze was famously dubbed Aniara by the Nobel laureate Harry Martinson (after one of his greatest epic poems) when he first beheld the pottery at the Stockholm Exhibition of 1964.
Height 10.63 ", 6"